We call the practice spatial human-computer interaction (HCI) — and we build it to last: specified for a decade of operation, engineered to keep going.
Cleveland Museum of Art ArtLens Reimagined
For ArtLens Reimagined, successor to the museum's pioneering Gallery One: Sitara delivered the systems architecture — including who owns and approves AI-generated interpretation — and built the new content system and real-time platform beneath the gallery, with the mobile app as an accessibility affordance for every interactive.
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Genesis House × Matte Projects Manifesting Marilyn
An exhibition celebrating Marilyn Monroe as a pioneering woman entrepreneur, for her centennial. Sitara built its interactive moments — kiosks and a wall that redraws visitors' wishes in light, every submission screened, and rotary phones that play her final interviews — and ran them daily for nine weeks.
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New Museum × Anicka Yi New Humans: Memories of the Future
For the New Museum's inaugural exhibition, Sitara extended the artificial-life system behind Tate's aerobes to a second venue and a second architecture — on view now through August 2026.
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National Museum of Mathematics Exhibit Software
Software for four new interactive exhibits — Formula Fun, Face Value, Global Golf, and Open Book — each translating a mathematical concept into something visitors do with their hands rather than watch on a board.
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Yale Peabody Museum Multimedia Interactives
A building-wide interpretive system of fifteen digital interactives, designed over two years embedded with Yale's researchers during the museum's generational renovation.
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Port of Long Beach Interactive Museum
Five touch-free interactives and a content system the Port updates itself — keeping a port working to become the world's greenest publicly accountable to sustainability targets dated out to 2050.
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Tate Modern × Anicka Yi In Love With The World
For the 2021 Hyundai Commission, Sitara built the artificial-life system behind an ecosystem of autonomous aerial machines inhabiting the Turbine Hall — peer-reviewed at SIGGRAPH.
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Dana-Farber Cancer Institute Zebrafish Display
477 3D-printed zebrafish, each carrying a donor's message in one luminous school. Years later, Sitara re-engineered the interaction layer from capacitive touch to NFC without replacing the sculpture.
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Jenny Holzer × Hypersonic There Was A War
A four-sided kinetic LED sign carrying 131 eyewitness accounts of Syria's civil war. Sitara served as technical production partner to Hypersonic, helping put testimony in motion for the length of a museum run.
View project →Every commission is judged on the story it asks us to tell. Read our design ethics →
Alongside our public work, we build for flagship commercial environments. That work is selected by narrative content, not client category — it passes the same ethics floor and is engineered to the same standard.
Replit Vibecon Technical Direction & Production
Technical direction for every interactive and installed element at Replit's inaugural conference — including three rooms of Sitara's own: Game Room, Sound Room (with DJ Benji B), and AI2AI.
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T-Mobile Connected Complex
A projection-mapped architectural model at T-Mobile's Bellevue Executive Briefing Center that makes an invisible system — enterprise connectivity — visible, in a venue that runs briefings daily.
View project →Purina Institute Exhibit Systems for a Research Communication Center
Interactive exhibits communicating Nestlé Purina's research to visiting scientists — rebuilt for reliability, then extended to a virtual audience.
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Cadillac Horizon
200 Rear Camera Mirrors arranged into a floating ring with an invisible virtual landscape inside. Horizon turned a production display technology into a spatial interface discovered by hand.
View project →Selected Clients & Recognition
